UpStage – the online venue for live performances

The 12th beta release of the new UpStage was released on 27 October 2021.

The new UpStage platform will be launched at the Mobilise/Demobilise festival, which takes place online over the weekend of 15-17 October 2021.

The newly mobilised UpStage platform will be launched with a festival of cyberformance exploring the theme “mobilise/demobilise” 15-17 October 2021. Times and live links are available on www.mobilise-demobilise.eu. Mobilise/Demobilise began as an artistic response to a world of increasing conflict, crisis and emergency, before Covid19 […]

The UpStage development team has been joined by Vu Huynh, who is a front-end/VueJS developer.  Vu joins us from Vietnam and will be working closely with Nguyen Hong Phat as we near our 1.0 release. Follow Vu on GitHub: https://github.com/vuhuynhsk8 That exciting release came ever […]

The latest beta release of UpStage secures streaming and introduces a distinction between “live” and “object” drawing.

Release R15-2021 of the beta UpStage v4 (codenamed 7-A39) introduces the ability to attach copyright and licensing details to individual media items.

Development of the new UpStage platform is continuing at a fast pace and we are now testing the audio-visual streaming tool. This article explains how to send a stream from your mobile phone to UpStage, using the Larix Broadcaster app. Larix is available for Android […]

What moves you? What stops you? These questions began and ended the first of two work-in-progress presentations of Mobliise/Demobilise, at the Bodies:On:Live festival at the end of June. We invited the audience to respond, which they did very enthusiastically, and used the live text and […]

Paul Rohrlach announces the release of version 0.4.0 of the UpStage software.

Two UpStage workshops were held recently at the Bodies:On:Live festival, offering a sneak preview of the new UpStage platform to those who registered in time – both workshops were fully booked several days in advance. The participants were mostly coming from physical theatre backgrounds, with […]